Valentine Name Card

CLEVELAND, Ohio — Rudy Ray Moore was sitting in a bar on the abreast East Side. The abode was about empty. He was in Cleveland to perform, but not on this night.

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The cultural amount who accomplished acclamation and ballyhoo as one of the screen’s baddest muthas — Dolemite, the spieling pimp whose dejected rhymes and alone stunts aggressive rappers Snoop Dogg, Dr. Dre and Big Daddy Kane — was aloof a man, blind out with accompany the night afore a appearance in the burghal he alleged home.

“I abstruse my absolute act while active here, and it will consistently be my home,” Moore told me and his longtime acquaintance Delvis Valentine. “Cleveland is consistently in my heart.”

Story by John Petkovic, The Plain Dealer

Courtesy of Xenon Pictures

He was gentle, candied and thoughtful. These ancestry represented his accurate personality, the ones accompany knew well. Moore didn’t alcohol or smoke or anathema and angled as a preacher aback he was out of character.

It all stood in abrupt adverse to his accessible persona. On this night in 2002, he was soft-spoken, not clashing any added 75-year-old man absorption on his life.

“You know, I achievement that anytime they accomplish a cine about me,” he said, as he sipped on a bottle of baptize and calculating placed it on a table. “People charge to apperceive the adventure of Dolemite; they charge to apperceive my story.”

A 2005 photo of Rudy Ray Moore, aka Dolemite. (Photo by Ethan Miller/Getty Images)

Of course, the two belief are intertwined, but actual different. He reflected on both afterwards the blowing that became his calling card. The adventure he recalled had annihilation to do with pimpin’.

It was abounding with a afire admiration that he had been able to accomplish it so far in the blur and ball worlds. But there was additionally a activity of dejected that he never absolutely accustomed the acclamation he deserved.

François Duhamel, Netflix

Eleven years afterwards his death, in 2008, Moore is assuredly accepting his due.

The just-released cine “Dolemite Is My Name” scans the activity and times of the abominable abecedarian and band blur ablaze amenable for 1970s abstract “Dolemite” and “The Animal Tornado.” It stars Eddie Murphy in the role of Moore and appearance a star-studded cast, from Wesley Snipes to Chris Rock to Snoop Dogg.

The Netflix blur is currently accomplishing an absolute run at the Cedar-Lee Theatre in Cleveland Heights. It starts alive on Netflix this Friday.

François Duhamel, Netflix

“Rudy hoped that anytime there would be a cine fabricated about his life,” says Valentine, a Cleveland appearance apostle and music ambassador who brought Moore to boondocks generally in those canicule — for performances and to almanac his final album.

“He consistently absurd Wesley Snipes arena him, not Eddie Murphy, but he would be so blessed to see the day that his adventure is assuredly actuality told.”

Wesley Snipes is ablaze in his assuming as D’Urville Martin, the assuming cine administrator with the dismissive attitude, bug-eyed beam and bubbler problem. ‘Dolemite Is My Name, however, is Murphy’s appearance — and Moore’s allegorical adventure provides him with a larger-than-life role.

Netflix

Set in 1970, the blur focuses on his time in Los Angeles. It opens with Moore toiling abroad in a almanac store: He stocks almanac racks and works the banknote register.

He’s 43 and almost captivation assimilate to a dream to accomplish it as a singing ablaze — alike if anybody about him tells him he should accord up. He’s no James Brown. Too achromatic and can’t dance. He can’t sing like Marvin Gaye. His time has appear and gone.

That is, until Lady Luck walks through the aperture — in the anatomy of a alone man.

“There was this liquor abundance astute man — in added words, a wino — who drank all day and told these animated tales. He didn’t accept no teeth and all he could eat was soup,” Moore recalled in a 2000 account with The Plain Dealer. “He’d appear into the abundance and ask me for money, and I’d say, ‘First acquaint me a Dolemite story’ — this air-conditioned appearance he fabricated up alleged afterwards a vitamin. That’s aback I realized: If a liquor abundance astute man can get all these bodies laughing, aloof anticipate what a able could do.”

An undated photo of Rudy Ray Moore. (Courtesy of Norton Records)

Ka-ching!

Moore recorded “Eat Out Added Often,” a abominable ball anthology abounding with X-rated boasts about animal prowess.

“I played it one day and, man, aback the bodies in the abundance heard it, they couldn’t accept it,” said Moore. “They said, ‘Gimme that bedraggled stuff.’ ”

Within months, Moore became a hit with atramentous audiences about the country, alike admitting his albums were generally awash beneath the adverse and out of the block of his car.

Dolemite was born.

Craig Robinson as Moore accomplice Ben Taylor in ‘Dolemite Is My Name.’ (Photo by François Duhamel, Netflix)

Of course, annihilation came calmly or took a beeline path. Moore’s activity was abounding with makeshift plans, detours and ambagious adventures.

“Rudy and  I and [co-producer Theodore] Toney were absorbed and we all aggregate a duplex,” says artist and Moore assistant Ben Taylor, who is portrayed in ‘Dolemite Is My Name’ by Craig Robinson.

“So we recorded ‘Eat Out Added Often’ in our abode as a alive affair almanac and had our accompany over for the recording,” adds Taylor, via buzz from his home in Los Angeles.

The admirers laughed. The labels were unimpressed.

“The anthology was alone by every characterization because it was X-Rated and too daring. That’s aback Rudy said, ‘(expletive) them — we’ll do it ourselves,'” says Taylor. “And we did, from press it up and packaging the almanac to accepting it out there.”

Moore’s DIY access was pioneering. He awash albums out of the block — forth with customized Dolemite back-scratchers, coasters and ash trays — and hounded distributors to backpack the record. The access aggressive a credo.

“He believed you accept to ‘take it to the people’ and accept acceptance they will respond,” says Taylor. “He had about $25,000 from his anthology sales and ample the abutting footfall would be a movie.”

Dimension Pictures, Xenon Pictures

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Along comes “Dolemite,” the 1975 action-comedy flick that Moore financed himself for $100,000. By the end of the year, it raked in $10 abecedarian at the box appointment — one of the best absurd success belief in cine history.

“He got the money from almanac sales and kept on accomplishing ball gigs to accounts the authoritative of the movie,” says Taylor, who denticulate the music for the blur and bound its iconic affair song. He had advised comestible arts so he concluded up bushing accouterment duties for the crew.

“We had a whatever-it-takes attitude,” he adds. “We had to because it was all so low budget.  It was actual adamantine rounding up the crew. It was so frustrating, but Rudy had so abundant admiration and adherence and adherence and determination.”

After accepting alone by cine studios, he went aback to  take-it-to-the-people attitude and starting hosting his own screenings. The acknowledgment was so cutting that it bent the eye of the industry.

Rudy Ray Moore starring as Dolemite in “Petey Wheatstraw.” (Courtesy of Zenon Pictures)

“Rudy represented what we alarm the hood,” says above administrator Donald Randell, via buzz from his home in Los Angeles. “He attempt his films on the run and would annular up his accompany to booty allotment in authoritative them.”

Randell recalls walking home from academy aback he was 12. He saw a army and a camera — and Moore in the average of it all.

“My ancestors lived abreast Rudy and he happened to be cutting ‘Petey Wheatstraw,'” he says, apropos to the 1977 blur in which Dolemite is pursued by the devil. “That aforementioned day, I was pulled in to assignment on the cine as a anchor and advice out with whatever they need, like digging holes in a graveyard for a scene.”

Rudy Ray Moore, aka Dolemite, in “The Animal Tornado.” (Courtesy of Zenon Pictures)

Most “Blaxploitation” 1970s films — from “Shaft” to the Pam Grier entries — were financed by big studios. But Moore was indie afore there was such a term. Yes, his films targeted atramentous audiences, but his absolute spirit transcended race.

“He never admired the appellation ‘Blaxploitation’ that was absorbed to his and added films actuality fabricated by blacks in the 1970s,” says Randell. “He was appreciative of breadth he came from and saw bodies as his anatomy brothers and sisters — not article to be exploited.”

A July 8, 1975 ad for “Dolemite” in The Plain Dealer. He alternate to the burghal he alleged home to appear screenings and accommodated fans.

Indeed, as Moore already told The Plain Dealer: “I am a spiritual, God-fearing man aloof arena a ghetto expressionist. I don’t absolutely accept women alive the artery for me. I aloof appetite to accomplish bodies beam and smile.”

François Duhamel, Netflix

“Dolemite Is My Name” explores the two sides: the pimp persona and the abecedarian in chase of bouncy laughter. It additionally celebrates the agrarian spirit and active application of an underdog who would not be denied.

“Rudy wasn’t the best actor, but he was such a character,” says the film’s administrator Craig Brewer, via buzz from his home in Memphis, Tennessee. “It’s so abundant fun to watch him go from bristles to 12 on a scale, from this quiet, approved guy to this array of superman. It’s funny to see, but he additionally embodies the underdog and the optimism of addition who keeps on angry to affix with his dream. And that’s added animal than superman, which is why bodies admired him so much.”

François Duhamel, Netflix

The blur focuses on the friendships he fabricated and the bright accompany he ambit up to advice accomplish his opus, including his comedic accessory Lady Reed, affably played by Da’Vine Joy Randolph. She’s a Rubenesque distinct mother whose long-gone-dreams are active by Moore – alike as the alone auberge they use as set for the blur is abounding with adulteration and squalor.

Snoop Dogg, a Dolemite fan in absolute life, apprears “Dolemite Is My Name.” (François Duhamel, Netflix)

Both Brewer and Murphy were longtime Dolemite fans. But it’s that adventure of the underdog who wouldn’t be denied that ultimately fabricated assembly of the blur possible.

“His ball could be crass but there’s this acidity about him,” says Brewer, who enjoyed his beforehand with the 2005 blur “Hustle & Flow.” “He was all about admittance and empowerment and erect friendship, breadth he’s at a barbeque rounding up his accompany to accomplish his movie. We came at this cine with annihilation but adulation and account for Rudy, the man.”

A 1947 photo of Rudy Ray Moore, additional from left, on bout with the Stepp’s Ablaze Revue. (Courtesy of Norton Records)

Indeed, “Dolemite Is My Name” explores such capacity with active detail. But it alone tells allotment of the adventure of Moore’s life. This is a account that begins and takes appearance in Cleveland in the 1940s and ’50s. As he generally said, Moore larboard Fort Smith, Arkansas, for Cleveland to escape a activity of alive in the fields.

Ads from The Plain Dealer, April 27, 1952, for clubs that were staples in “Cleveland’s Harlem,” the East Ancillary areas forth Euclid and Cedar avenues were active cultural hubs in the city.

The burghal was at it its peak, with a citizenry of 914,808 association in 1950. Rock ’n’ cycle had yet to accept a name, but you could apprehend the antecedents of the music in “Cleveland’s Harlem” — a culturally affluent breadth that produced endless musicians and venues such as Gleason’s Musical Bar, Versailles, the Circle Ballroom and the El Dorado.

An undated Majestic Auberge postcard. (Cleveland State University. Michael Schwartz Library. Appropriate Collections)

“A accomplished new apple opened up for him aback he confused to Cleveland,” says his babe Yvette “Rusty” Wesson, an Akron resident. “The East Ancillary was active with atramentous clubs and it represented openness. He acquainted that he could assuredly be himself, and he fabricated a lot of friends.”

He abstruse his act from one of them.

“I was active there alive in hotels as a table aide and bus boy,” recalled Moore, in an account with The Plain Dealer. “And again I met a woman alleged Estella Caldonia Young at a abode in Cleveland alleged the Majestic Auberge on East 55th. She accomplished me aggregate I apperceive — the blues, the rhymes, the language, everything.”

Undated photo of Rudy Ray Moore. (Courtesy of Norton Records)

The Majestic was the centermost of African American nightlife and the auberge breadth best touring atramentous performers stayed. The Ubangi Club, amid in the hotel, and the Log Cabin, amid above the street, were hot spots in the city’s “black and tan” arena — advised the best active atramentous ball commune amid New York and Chicago.

Moore blood-soaked up the activity and the vibes, but he had no appetite to accomplish it big aback then, says Miriam Linna, buyer of New York-based Norton Records.

“He was case potatoes and abrasion dishes in Cleveland aback he saw an ad for a aptitude contest,” she says. “He was aloof acquisitive to accomplish $5 with a account routine, so he entered. Aback he won the contest, it aggressive him to accomplish and his career took off.”

Rudy Ray Moore, kneeling, assuming as Prince DuMarr. (Courtesy Norton Records)

Moore sang and danced and told jokes in Cleveland clubs. He hit the date shirtless, wore a turban and billed himself as a genie-like appearance dubbed Prince DuMarr. He abstruse that actuality alone could bolt the eyes of an audience.

John Petkovic, The Plain Dealer

Moore took his accepted on the “Chitlin Circuit,” a civic bistro ambit for atramentous performers. He became accompany with performers such as La Wanda Page, the Cleveland built-in acclaimed for arena Aunt Esther on “Sanford and Son.” They abounding abbey casework at Accord Baptist Abbey on East 55th Artery aback they were in town.

A Sept. 24, 1982 Plain Dealer ad for a LaWanda Page and Rudy Ray Moore show.

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Rudy Ray Moore and La Wanda Page — who died in 2002, six years afore Moore anesthetized — remained accompany connected afterwards the ‘chitlin circuit’ days. They additionally connected to accomplish with one addition about the country and in Cleveland, in places such as Schatzi’s Jazz Room, in 1982.

Moore while stationed in Germany.. (Courtesy of Norton Records)

Moore was drafted in the aboriginal 1950s and would sing for soldiers while stationed in Germany as the Harlem Hillbilly, assuming songs that mashed up country and R&B styles to comedic effect.

Courtesy of Norton Records

Rudy Ray Moore assuming for the troops in Germany.

A 1961 photo of Rudy Ray Moore. (Courtesy of Norton Records)

“He was a abundant accompanist and an important amount in the 1950s and ’60s,” says Linna, an Ohio built-in and above Kent citizen who met Moore 25 years ago.

“When I met him, he was accomplishing a appearance — this accomplished abominable discourse — and again he came off-stage and was this absorbing gentleman,” adds Linna, a above affiliate the Cramps, the allegorical bluesy jailbait accouterments with Northeast Ohio roots. “I was a big fan and in awe of him, but again we talked and he was so sweet.”

Courtesy of Norton Records

They affirmed appropriate abroad aback he abstruse of their aggregate Ohio roots. The band led to a business relationship.

Norton has afford a ablaze on Moore’s singing career by reissuing his music. It additionally affairs a alternation of reissues on its accessory label, Crashing the Party, which will affection 10 songs, anniversary appear on 10-inch red vinyl.

Courtesy of Norton Records

“His time in Cleveland was appropriate to him,” she says. “People don’t apprehend how abundant of a role the burghal played in his life. If it weren’t for Cleveland, there would be no Rudy Ray Moore.”

Courtesy of Xenon Pictures

Moore kept on abiding to the burghal and billed his allotment as homecomings.

“I bethink him arena a abode alleged Bob’s Showcase Lounge on the East Ancillary in 1973,” says Wesson. “It was a bewitched night for him. I was 15 and got to accessible the show. There was a standing-room-only army of 400 people, and he acquainted like he was aback home.”

Courtesy of Xenon Pictures

The 1970s apparent the heyday for Moore. ‘Dolemite’ became one of the better hits of 1975 and angry him into a ablaze — one of entertainment’s best absurd stars and one whose acclamation came over years, not overnight.

The Plain Dealer

Most cine reviewers about the country savaged the film. A July 11, 1975 analysis of it in The Plain Dealer said: “Few movies are so absolutely abecedarian as ‘Dolemite.’ I got to activity apologetic for the bodies in it as able-bodied as those watching.” The analysis was summed up with two words, “Truly dreadful.”

Courtesy of Xenon Pictures

But it didn’t amount what the critics thought. Moore followed up “Dolemite” with “The Animal Tornado,” a 1976 flick that rolls out an bacchanal of explosions, aerial fists, cheapjack stunts and all-around silliness.

In one scene, a  Dolemite is bent in bed with the sheriff’s wife. Wearing annihilation but a strategically-placed dejected paperboy hat, he tries to accomplish a breach by jumping off the balustrade of a mansion. The rewinding of the arena and a epitomize of it in slow-motion apparent a aiguille in cinema zaniness, alike for Dolemite.

Courtesy of Xenon Pictures

In 1977, he appear “Petey Wheatstraw,” a crazy yarn that stars Moore as a abecedarian who strikes a accord with the devil to get a additional adventitious on life. Of course, it comes with a condition: He has to ally his daughter. He doesn’t acquisition her all that appealing, which after-effects in him active from the devil — and, in the process, accepting to action an army of followers who attending like aroused trick-or-treaters in cheapjack get-ups.

Courtesy of Xenon Pictures

Blaxploitation movies waned in acceptance by the end of the decade, but Moore’s ball albums and movies aggressive a new bearing of filmmakers, performers and musicians — from Eddie Murphy and Craig Brewer, who teamed up to accomplish ‘Dolemite Is My Name,’ to hip-hop artists such as Snoop Dogg to Eazy-E to Dr. Dre, Big Daddy Kane, Old Bedraggled Bastard and the Beastie Boys.

Altoids, Xenon Pictures

Moore’s blowing remained as able as ever.  He would acknowledgment the buzz with the greeting: “You’re speaking with the King.” He additionally appeared in boilerplate ads and became a band amount with cine and music fans.

But he was additionally abounding with lament. He acquainted that he never got his abounding due.

“Without Dolemite, there would be no gangsta rapper,” said Moore, in a 2006 account with The Plain Dealer,  “I did it aboriginal and I’m still arrogant like the one and alone pimp, alike with this arthritis in my leg.”

“These guys Steve Harvey and Cedric the Abecedarian and Bernie Mac affirmation they’re the Kings of Comedy,” Moore added. “They may be funny, but they ain’t no kings. That appellation is aloof for Rudy Ray Moore and Redd Foxx.”

Getty Images

He connected actualization in films and on TV shows and kept on alive the clubs.

“Nothing could stop him from assuming his ball gigs,” says Ben Taylor, who formed with Moore throughout his career. “That’s what brought in the money for him, but it was added than that.”

Taylor helped Moore with the assembly of the 1970s beforehand album, “Eat Out Added Often.” He additionally wrote the affair song and music for “Dolemite” — and remained abutting accompany with Moore connected afterwards the Dolemite heyday.

“He got absolutely ailing about 2006,” says Taylor, via buzz from his home in Los Angeles. “He was throwing up and could almost airing — he suffered from diabetes — but he had a appearance at the Fonda Theatre in L.A. I told him, ‘Rudy, you gotta abolish this show, you’re too sick.'”

Moore refused, so Taylor accompanied him to the appearance and stood off to the ancillary of the date with accoutrements that Moore could barf in if he had to during the performance.

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“The date was aphotic so he ample no one would see him throwing up if we had atramentous bags,” says Taylor. “He concluded up activity to the hospital the abutting day, but he fabricated it through the show. That was all that mattered to Rudy — he formed adamantine and never chock-full giving it his all.”

Moore concluded up activity into what he declared as a 45-minute blackout and a hospital stay, due to his diabetes.

Rudy Ray Moore, center, in Cleveland while recording his final anthology with Terrance D. Reynolds, left, and Delvis Valentine, right. (Courtesy of Delvis Valentine)

He kept on advancing aback to Cleveland until the end — to almanac one aftermost anthology with Cleveland artist Terrance D. Reynolds and accomplice Delvis Valentine. The album, which was recorded over three years, amid 2003 and 2005, was never released.

Moore additionally consistently performed at breadth clubs such as the Beachland Ballroom, Kinsman Aboveboard Affair Center, Robin’s Nest, Laff House and the Grog Shop, breadth he performed in Northeast Ohio for the aftermost time, in 2006.

“He was actual frail, but he still gave a abundant performance,” says Valentine, who appointed the appearance and served as an ad-lib aperture act.

“The opener was sick, so I had to footfall up. I had never performed afore and had no abstraction what I was doing. But Rudy admired it,” adds Valentine. “I didn’t appetite any money, but Rudy said, ‘You fabricated me beam tonight and I assert on advantageous you.’ He gave me $800 and I couldn’t accept it. That was Rudy. He was a affectionate man who consistently accurate his friends, abnormally if he saw you as actuality ‘hometown.’ ”

A 2005 photo of Rudy Ray Moore, aka Dolemite. (Photo by Ethan Miller/Getty Images)

Moore struggled accepting about during the Grog Shop show. It was alone four months afterwards his hospital stay.

In beforehand of the appearance he told The Plain Dealer: “I was in Los Angeles aback I burst to the floor.  I was rushed into a hospital and went into a coma, but ain’t nuthin’ gonna accompany bottomward Dolemite – the King of Ball AND the Godfather of Rap.”

He promised admirers that he would accomplish the appearance no amount what: “Open your arms, Cleveland – ’cause a bad, bad man is advancing aback home to accord you some good, acceptable lovin’.”

It accepted to be his final breadth performance.

Rudy Ray Moore in “Dolemite,” which buried in Cleveland’s burghal cine palace, the Hippodrome. (Xenon Pictures)

Valentine generally gave him tours of the burghal so he could revisit his old stomping breadth and adhere out with admirers and accompany in confined like Wolf’s Den on Cedar Avenue.

“I bethink him cogent me that one of his proudest moments in his career was aback his cine ‘Dolemite’ played the Hippodrome,” says Valentine, apropos to the acclaimed burghal theater. “To him, it was like he had absolutely fabricated it, because it was arena this admirable amphitheater in Cleveland.”

François Duhamel, Netflix

There’s a arena in “Dolemite Is My Name” in which Moore approaches his characterization to get an beforehand to accomplish his admission movie. The agents warns that the address of his abominable accepted spans bristles burghal blocks. He responds that “every burghal has those bristles aboveboard blocks.”

“It gets to what Rudy was all about: He knew his admirers and was application artery tales that the bodies in those burghal blocks were already accustomed with,” says Mark Jason Murray, who served as a adviser for “Dolemite Is My Name.” “He believed that if you booty it to the people, the bodies will decide, and if there are bristles bodies who like it there will be bristles added bottomward the street.”

Murray met Moore in 1994 and continues to baby-sit his amusing media and his official Web site. He’s additionally alive on a adventures of his activity that will go above Los Angeles and accommodate his ascendance in Cleveland.

“ ‘Dolemite Is My Name’ is a Hollywood adaptation of his life. It shows a abundant added able adaptation of what Rudy had to accord with in his activity and how adamantine it was for him,” he says. “He was so alone and so over the top, which helped him breach through and plateau at the aforementioned time because he couldn’t booty his accepted above that antecedent audience.”

Plain Dealer Historical Photograph, via Rudy Ray Moore

It didn’t stop him from trying. To the end, he kept pushing.

“He formed until the end,” says Wesson. “He admired his admirers and admirers and actuality Dolemite so abundant that he wouldn’t booty his diabetes anesthetic for canicule at a time while performing. He anticipation it would blend up his show, and he was not activity to let that happen… but he was activity downhill.”

Moore confused to Akron from Las Vegas in 2008 to absorb his final months in the breadth and to be abutting to Wesson. Alike as he could no best booty the date and as afterlife approached, Dolemite didn’t lose his cool.

Says Wesson: “He told me, ‘What affectionate of affection of activity is that for a man of my ability — would you be mad at me if I were to die?’ ”

He had a blimp dog, buck and avoid on his deathbed. And he listened to Dolemite albums as he passed. And, says Wesson, he larboard with an announcement: “Dolemite’s accursed day has assuredly accustomed — I’m clearly out of here.”

In body, yes, but not in spirit.

“I apperceive Rudy is attractive bottomward on us animated and laughing,” says Valentine. “He assuredly got the cine he consistently wanted.”

John Petkovic, The Plain Dealer

‘Dolemite Is My Name’

In the theaters: Now arena at the Cedar-Lee Theatre, 2163 Lee Road, Cleveland Heights.

Streaming: On Netflix, starting Oct. 25.

Who: Directed by Craig Brewer. Written by Scott Alexander and Larry Karaszewski. With Eddie Murphy, Wesley Snipes, Snoop Dogg, Da’Vine Joy Randolph, Tituss Burgess, Craig Robinson, Mike Epps, Chris Rock and Keegan-Michael Key.

Rated: R, for awkward language, animal agreeable and nudity.

Running time: 118 minutes.

Courtesy of Xenon Pictures

Rudy Ray Moore died 11 years ago, on Oct. 19, 2008. He anesthetized abroad while active in a nursing ability in Akron, Ohio.  He was 81.

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