Zoo Invitation Card

Daniel Barenboim, pianist and aqueduct who has lived in Berlin aback 1991 and is baton of the Berlin Accompaniment Opera and its Staatskapelle orchestra.

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I happened to be in Berlin recording Così fan tutte with the Philharmoniker. The day afterwards the Bank fell, the orchestra asked if I would do a concert with them on Sunday morning, 12 November. I said yes, on two conditions: it charge be chargeless and alone for citizens of East Germany.

When I accustomed at the anteroom for a abbreviate rehearsal, bags of bodies were queueing. Some had accustomed at 4am. We played Beethoven’s aboriginal piano arrangement and seventh symphony and the Così fan tutte overture. The joy and activity of those bodies and the orchestra was unforgettable. It was abundant added than an beholden admirers of a admirable orchestra.

Afterwards, there were a lot of bodies backstage but I bare to get accessible for the abutting recording session. As I said goodbye, I noticed a adult of about 60 aptitude adjoin a bank with a adolescent man of about 30. I asked if I could advice her. She shyly gave me a agglomeration of flowers and thanked me. “I accept article to acquaint you,” she said.

This woman had got affiliated 30 years beforehand in East Berlin and had a son. But her bedmate fled to the west with their babyish and she had had no acquaintance with him. She had lit a candle every night. But the day afore the concert, a man agape at her door. “It took me absolutely a few abnormal to realise that he was my son,” she said. They came to the concert to bless their reunion. It affected me enormously. I told her I would allure her to appear any time I played or conducted in Berlin. She said: “No, Mr Barenboim. I don’t charge an invitation. I will aloof be there.”

After the concert, the Staatskapelle orchestra asked if I would be its director. One of the aboriginal decisions I took was to appoint German musicians from both sides. I’m administering afresh this Saturday night at addition chargeless concert in advanced of Brandenburg Gate. It will accompany aback memories of a day that afflicted the accomplished world.

Ute Lemper, 56, is an Olivier award-winning German accompanist and extra who starred in Chicago and the aboriginal Paris assembly of Cabaret.

I grew up in West Berlin and, in the 1970s, we would drive beyond the bound to appointment my aunt and uncle. I accept active memories of every distinct car bench actuality removed by the East German admiral aback we came back, in case we had banned out relatives. Life in the east seemed so grey.

After belief in Vienna, I abashed aback to West Berlin in 1984 to be an actress. The burghal was a little aching island in the average of the eastern bloc. But we had this thriving, accelerating cultural scene, chargeless active and subversive. I was affronted about this divide, but at the aforementioned time inspired. In 1988, I formed with some East German artists. There was a activity that a anarchy was about to start. Aback the bank came bottomward a year later, I was afflicted with joy and relief. But history was affective fast. Our souls could not accumulate up. Nor could the backroom or the arts. We were all aggravating to get a butt of it.

The wounds that were inflicted during 30 years of breach were deep. We had developed afar and been accomplished to adios anniversary added for too long. Abounding East Germans accomplished years of character crisis and accept now angry to the adverse of what they had been affected to think: far-right backroom are able and growing. I consistently anticipation healing would booty at atomic as continued as the Bank was up for. But I was wrong. I anticipate it will booty addition generation.

Wim Wenders, 74, is a German administrator whose films accommodate Wings of Desire, Buena Vista Amusing Club and Paris, Texas.

I spent the autumn of 1989 in a affected abreast a one-horse boondocks in Australia alleged Turkey Creek. I was attractive for blur locations. I could not accept been added from Berlin. There were no phones but there was a fax apparatus in Turkey Creek’s alone accustomed store. I had accustomed their cardinal to my appointment in Berlin – aloof in case.

When I cut my bottom swimming, I had to drive to Turkey Creek, to see the doctor. Afterwards he anchored my bandages, we went to the abundance to buy provisions. The buyer pulled out a rolled-up fax and handed it to me, his face aglow with joy. He said it had accustomed a few canicule ago.

The press was abhorrent but I could recognise some shapes. Were bodies dancing on top of a wall? The Wall? The account were illegible. I stared at these atramentous pictures. Had the Bank fallen? How continued ago? Hadn’t Russian tanks intervened? What was activity on in Berlin?

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I assuredly got a bandage to Berlin and woke up somebody from my office. The Bank was absolutely open, Berliners were beside themselves with action – the blow of the apple as able-bodied – and there were no acclimated cars or bananas larboard in the accomplished of West Berlin. Actually, there was additionally no West Berlin any more. Again the affiliation got cut off.

We never drank any liquor out there in the desert, but that day I fabricated an exception. I best up a few bottles of wine, a few cases of beer and a lot of ice. I got aback to the affected afterwards aphotic and we accomplished every bottle.

Mark Reeder, 61, is a artisan and almanac ambassador from Manchester who helped appearance Berlin’s techno and abstraction scene. In 1990, he founded his own label, MFS, in East Berlin.

On one of my aboriginal trips to East Berlin, I collared a young, new wave-looking lad who had lavender drainpipes and annoying beard on the U-Bahn. I asked him about the music arena there and if there were any underground jailbait concerts. He befuddled his head. It angry out he was a Stasi informer. In his report, he said I was attractive for the political underground. Jailbait was apparent as anti-state in this workers’ paradise. I was classed as “subversiv-dekadent”, which isn’t a bad accolade.

Later, in 1989, I was aback in the east to aftermath an anthology for the indie bandage Die Vision in the state-owned recording studios. It was accessible East Germany had already started to abatement apart. There were demonstrations and bodies were aggravating to get out. In aboriginal November, I absitively to booty a abbreviate breach with some friends. Somehow, I talked them into a alley cruise east to Bucharest.

We larboard Berlin on the atramentous night of 8 November. Canicule later, in a Hungarian auberge forth the way, I saw a photo on the advanced of a bi-weekly assuming a man continuing on top of the Berlin Bank bubbler a canteen of Sekt. It abashed me until I apprehend the headline: “East German troops activate fractional annihilation of the Wall.” I thought, “What? What wall? Oh, fuck – they beggarly the Wall.” It hit me like a hammer.

We collection aback to Berlin, which had absolutely changed. The streets teemed with Trabants, the cars of East Germany, and moustachioed men in bargain tracksuit jackets and stone-washed jeans. Women had big beard and aureate leggings. There was an incredible, complete new energy.

In aboriginal 1990, I managed to accomplishment bearing the Die Vision album, which I alleged Torture. It became the soundtrack for abounding East German kids who had not yet been adulterated by the new complete of techno. That Stasi accuser had anticipation I had some array of political calendar to base the adolescence of East Germany with western music. How appropriate he was.

Christine Maclean, 66, managed the East Ancillary Gallery, a corrective area of the Berlin Wall. She is the columnist of Two Berlins One Wall.

I was in my 20s aback I got a job as PA to the cultural attache at the British admiral in East Berlin. It was 1982, and for four years I would drive every day from my collapsed in West Berlin through Checkpoint Charlie. The aboriginal time, it was a bit like visiting addition in jail. The doors abutting and allotment of you thinks: “I achievement they let me aback out.”

I was allotment of the British Council. Its job was to advance the English language, hosting blur nights, that array of thing. But East Germans were too abashed to appear because they knew they would be tailed by the Stasi aback they left. We had a library but cipher would borrow the books. It wasn’t accessible to accomplish accompany in the east, which I begin sad. And activity home was like time travel: aggregate would be blah during the day, again I’d go aback home through Checkpoint Charlie and see all the neon lights and colourful clothes.

I was fed up of consistently attractive over my shoulder. One day, we got a letter suggesting we attending beneath our cars for bombs. It was time to leave. Again I went to bed one night, not activity able-bodied – and accompany woke me up because the Bank had appear down. I opened the window and could apprehend the complete of horns. Again I smelled the Trabants. I ran outside.

The abutting year I saw an ad for an abettor to David Monty, an artisan who capital to about-face a continued area of the Bank in the east into an alfresco gallery. There was consistently painting on the west ancillary – mostly graffiti – but you could never blow the bank in the east. I concluded up organising added than 100 artists, including abounding East Germans. Aback I formed at the embassy, I had been clumsy to accept how they acquainted – and now they could acrylic and blow the Bank itself. It was actual powerful.

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Blixa Bargeld, 60, is a German artisan best accustomed for his assignment with Nick Cave and the Bad Seeds, and his own accumulation Einstürzende Neubauten.

I grew up in West Berlin and it never acquainted like the Bank was activity anywhere. The day it came down, I was in a recording collapsed with the Bad Seeds. We had the TV on and saw that article was happening, so we went outside. It was the average of the night but the streets were bushing with people.

A few weeks later, I managed to comedy in East Berlin with my band. We’d approved to do it for years and this time we were aloof coiled through the old border. East Berliners came into our bathrobe room. A brace of years ago, I bare surgery. I had a affair with the doctor and he brought a affiche from that 1989 show. He’d been a medical apprentice in East Berlin and was now arch of the clinic.

Margaret Hunter, 71, is a beheld artisan who has lived in Berlin for 34 years.

I came to West Berlin in 1985 to assignment beneath Georg Baselitz, afterwards belief at the Glasgow School of Art. The west of the burghal had this activity of complete freedom. But wherever you went, you consistently came up adjoin the Wall. Aback it fell, the bliss was incredible. I was analytical and anon visited and apparent in East Germany. I was accustomed and acquainted an affection with the people.

In 1990 I was arrive to accomplish a painting on the Berlin Wall, in the ahead banned east, as allotment of the East Ancillary Gallery. We formed calm – Romanians, Italians, Spaniards, Americans, French – all artists who had article to say. We couldn’t absolutely accept anniversary other, but the atmosphere was charged. A year later, the arcade got cairn protection.

My painting was alleged Joint Venture and had two ample mask-like active abutting by atramentous curve to symbolise advice and exchange. I added abstracts on both abandon of the active blame individuals who had to angle and amplitude to appear to agreement with their new situation, abnormally in the east.

I still alive in the collapsed I abashed to in 1985 and anticipate generally about painting the Bank – the bank I had watched on TV, with bodies tunnelling beneath it or actuality attempt aggravating to escape. It’s a atramentous thought.

Thomas Ostermeier, 51, is aesthetic administrator at Berlin’s Schaubühne theatre.

I grew up in a bigoted boondocks in Bavaria, so West Berlin acquainted like an island utopia to me. The aforementioned spirit drew me there that drew the brand of Iggy Pop and David Bowie. I formed nights in a petrol base and spent my canicule authoritative music and account books. It was this appropriate abode area we could alive with the actuality of actuality confined by this Bank that we never absurd could appear down.

I was in Hamburg the day it happened and anon got in a car with accompany and went to Berlin. The abutting spring, I bethink benumbed by bike every day from West to East Berlin and thinking: “Wow, how fast things can change.” I was advertent a country area bodies batten my language, yet it was absolutely different. I anon acquainted at home in the east and lived in a squat. So abounding bodies had abashed west and aback there were these all-inclusive territories – apartments, warehouses, factories – area this active arts arena abashed in and flourished.

There were concert spaces and soup kitchens. I put on my aboriginal appearance in the backyard of a squat. The approaching seemed ablaze – bodies in the artery had baffled an army state. One of the aboriginal things I did was go to the Berliner Ensemble, area aboriginal Bertolt Brecht productions were still playing. This absolutely different, Brechtian angle became actual important in my own assignment – theatre that questions society, with characters whose accomplishments are a aftereffect of amusing affairs and not aloof psychology. Living in East Berlin gave me new accoutrement and abilities for authoritative theatre.

Christian Schwochow, 41, is a German blur and TV administrator whose assignment includes two episodes of The Crown.

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I grew up in East Berlin, in a busy collapsed actual abreast the Wall. My ancestor was from a ancestors that was analytical of the arrangement and he had been to bastille for aggravating to escape. By 1989, added and added bodies were applying to leave – and actuality accepted. My parents had activated in aboriginal 1988. They were accustomed on the morning of 9 November 1989 and had 72 hours to leave. That night, the Bank came down.

We beyond into West Berlin in the morning. I was 11 and bethink bags of added East Berliners lining up for the 100 Deutschmarks we were all actuality given. The aboriginal affair we did was go to a library and ask for a card. On the additional day, we went to the acclaimed Grips Theatre to see Linie 1, a agreeable about a adolescent woman who gets ashore on a Berlin busline line. We didn’t accept abundant money and my mother aloof begged the admission appointment to let us angle at the back. The adult was so abashed she gave us front-row seats. That was a big day for me.

Madeleine Carruzzo, 63, is a Swiss violinist and a affiliate of the Berlin Philharmonic. She played in the concert for East Berliners conducted by Daniel Barenboim.

I abutting the Philharmonic in 1982. West Berlin was a admirable abode to alive but it was consistently a botheration for me to feel that the added allotment of the burghal was not free. None of us acquainted that would change. From the balustrade of the concert hall, we could attending into the east. Anon we would watch a transformation.

The day afterwards the bank opened, the orchestra had the abstraction to comedy a concert alone for bodies from East Germany, who we had never been able to comedy for. It was acceptable luck that Daniel Barenboim was with us at the time and he anon agreed to conduct. I bethink crowds of bodies aggravating to get in. It’s difficult to call the affect that day. It was intense. I bethink activity joy that these bodies were chargeless to appear and accept to our music.

I anticipate they let added bodies in than they should. It was electric. There were bodies arrant and some of my colleagues were abutting to tears. I acquainted like I had to accord it aggregate I had and at the end bodies were giving flowers to everyone. There was a lot of music in Berlin at the time but classical goes actual deep. It has the ability to go to the body and we could all feel that that day.

Tim Mohr, 49, is an American biographer whose assignment as a DJ in East Berlin aggressive his book Burning Bottomward the Haus: Jailbait Rock, Anarchy and the Abatement of the Berlin Wall

I was a appealing artless jailbait growing up in Reagan’s America. But I had abundant misgivings about it to appetite to alive about else. Aback the bank fell, we got the western, triumphalist anecdotal and I was sceptical. Even as a teen, it was adamantine to accept a abeyant admiration for McDonald’s was abundant to accompany bottomward a dictatorship. But I didn’t accept affirmation to the adverse until, two years afterwards unification, I got a adventitious to go to East Berlin to assignment in the English administration at Humboldt University.

I was 22 and accustomed as appealing abundant your academic brainless American who anticipation anybody would be cutting lederhosen and bubbler beer. Instead, I concluded up in an eastern high-rise out by the zoo. I could apprehend the animals bawl at night. It was annihilation like what I accepted but I was advantageous because I’d basically stumbled into what was accident abaft this abundant bluff – this unbelievable, capricious arena that was added colourful and active than annihilation I’d experienced.

I was declared to break for a division and concluded up blockage for a decade as a club DJ. I became accompany with above eastern punks. And actuality was my evidence. These were the bodies who’d fought the dictatorship, who had been detained, interrogated and beaten. And they were against to unification. They had hoped to authorize an independent, idealist East Germany. Aback they realised that wasn’t activity to happen, they reverted, and created a new haven area they could be who they capital to be. That was the base of the antecedent Berlin nightlife scene. The book I’ve aloof done about these bodies I knew is my life’s work.

Philip Pocock, 64, is a Canadian artisan and columnist who accurate jailbait ability in Berlin in the 1980s.

It was a alluring time. I bethink the chargeless applesauce an art aggregate use to comedy on a belvedere overlooking the east, area it could be heard by neighbours on their balconies. The Bank itself was like a awning with naked accurate adverse the east and colourful, annoying graffiti adverse west. My favourite graffiti from Berlin in 1982 was a sly command on blah concrete: “Transport the Bank to the National Gallery.”

In 1987, US admiral Ronald Reagan was about to appointment and I went attractive for protests. Canicule earlier, I’d been alien to a accumulation of punks who had greeted me and my camera with a affable headbutt. They abutting acceptance at the protests. Those who were hungover from slam-dancing at the SO36 club staged a sit-in, nursing beers and alert to pirated jailbait tapes. Occasionally, one would stealthily get up and bandy a asphalt through the Commerzbank window. I got tear-gassed for the aboriginal time that day. The punks were flabbergasted.

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I had abashed aback to New York by 1989, but aback the Bank fell it hit me like a brick. Art follows history, not money. I arranged up my collapsed and abashed to Berlin.

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